Temporary exhibition
Mapping my Way To Traces of Belonging
04.06.2026 18:30-20:00
The third and final episode of the series, Mapping My Way to Traces of Belonging, explores the concept of connection - both physical and imagined - and invites us to celebrate our ancestors.
The first part of the evening is dedicated to the short film Rosa (2025) by Sasha Huber (CH, 1975). For several decades, Huber has been developing an artistic practice that explores colonial legacies, power dynamics, and issues of memory. Rosa honors the memory of Rosa Emilia Clay (1875–1959), the first person of African descent to obtain Finnish citizenship. Next, Thi My Lien Nguyen (CH, 1995) invites the audience to a contemplative encounter combining reading, food, and meditation. In her artistic work, Nguyen explores notions of belonging, diaspora, and post-migrant identity through practices blending photography, installation, performance, through food, contemplation, and shared presence. The performance reading planned at the Museum invites the public to a moment of calm, shared tastes and storytelling.
In Mapping My Way To Traces of Belonging, the two guest artists give central prominence to marginalized narratives and create spaces for dialogue where memory, community, and transmission become forms of resistance and resilience.
TicketsAbout the "Mapping My Way To..." series
As part of the exhibition Pach’un Q’ijul, the Museum is organizing Mapping My Way To..., a series of performance events designed to explore themes of identity, memory, a sense of belonging, the body, and geography. The performances take place in the exhibition hall and are conceived as duets that draw on the diverse expressive languages of emerging Swiss and international artists.
Previous events: Mapping My Way To Borderless Echoes. Ishita Chakraborty – Nina Emge; Mapping My Way To Drifted Memories. Marina Skalova – Ixchel Mendoza Hernandez.
The artists
Sasha Huber
Sasha Huber is a Helsinki-based internationally recognised visual artist of Swiss-Haitian heritage whose work explores the politics of memory, belonging, and care in relation to colonial legacies. Bridging history and the present, she engages with archival material through a layered practice spanning reparative interventions, film, photography, and collaboration. Known for using a staple gun—a tool symbolically resonant as both weapon and means of repair—it becomes a method of stitching together colonial wounds. Huber holds an MA in visual culture from Aalto University in Helsinki and is currently pursuing a practice-based PhD in artistic research at Zurich University of the Arts. From 2021 to 2024, her touring exhibition You Name It, organized by The Power Plant Contemporary Art Gallery in Toronto in collaboration with Autograph in London, marked a significant chapter in her ongoing international practice and was accompanied by a monograph of the same title, published by Mousse Publishing.
Thi My Lien Nguyen
Thi My Lien Nguyen (1995, St. Gallen) is a Swiss artist and photographer of Vietnamese descent. Her multidisciplinary practice is grounded in memory, materiality, and the poetics of diaspora. Drawing from her Vietnamese heritage and lived experience navigating cultural borders, she works with photography, printmaking, moving image, performance, writing, and culinary activations. Food functions in her work both as medium and as site of inquiry — a space to negotiate questions of identity, migration, and collective memory. Working increasingly with analog and alternative photographic processes, she proposes slowness, materiality, and embodied practice as forms of resistance to extraction and erasure.
Her work moves between documentary and personal narrative, drawing on traditions, rituals, and folklore to tell stories that resist linear time. Alongside her artistic practice, Nguyen is part of the curatorial team at Les Complices*, a self- organized off-space in Zurich creating platforms for queer, trans, inter, non-binary, women*, and BIPoC artists. Through culinary activations, workshops, and collaborative projects, she creates spaces of encounter grounded in care, solidarity, and mutual support.
Her work has been shown at Kunstmuseum Thurgau (2025), Athens Photo Festival (2024), the 22nd Biennial Sesc_Videobrasil in São Paulo (2023), Museum Haus Konstruktiv Zürich (2023), Fotomuseum Winterthur (2022), and Vincom Center for Contemporary Art, Hanoi (2021). She has completed residencies in London and Vietnam, with upcoming residencies at MASEREEL Centrum voor Grafiek (Belgium) and Syros (Greece) in 2026.
Practical information
Thursday 4 June 2026
6:30 PM to 8:00 PM
Adult fare: CHF 15
Reduced fare: CHF 10
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